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Todd Phillips’ standalone supervillain foundation story Joker is arriving in theaters amid so a lot controversy and subject about the workable for copycat violence that the debate has mostly overwhelmed the movie itself. It’s been charming to watch the dialogue round the film shift from “Do we definitely want some other Joker story so quickly after Suicide Squad?” to “Is Joker full of unsafe thoughts that will spur its worst followers to murder?” The preliminary issues round Joker assumed the film would be unnecessary, its have an impact on negligible. The modern-day questions ascribe it with too an awful lot importance, as if it may incite full-blown anarchy simply with the aid of existing.

As traditional in a case the place human beings bounce to extremes, the fact is someplace in the middle. Joker may additionally make some human beings who experience marginalized experience extra considered and greater powerful, and they may additionally act out in response. There are some ugly, self-serving messages in the movie, which is incongruously bent on developing sympathy for Batman’s worst enemy and one of DC Comics’ most notoriously callous mass murderers and atrocity architects. But love it or hate it, the movie does spin up a tempting myth of persecution and relief, of embracing nihilism as a skill of whole break out from a horrible world.

It’s a self-pitying fantasy, certainly. Phillips and co-writer Scott Silver comply with in the footsteps of Joel Schumacher’s 1993 drama Falling Down in portraying the world as a cartoonishly darkish and uncaring place, an nearly comically vile carnival the place the protagonist can’t locate a trace of alleviation or relief. In a utterly immersed overall performance that’s being viewed as a assured awards-season interest magnet, Joaquin Phoenix performs Arthur Fleck, a part-time rent-a-clown working for a seedy brain organisation full of exaggerated grotesques. Arthur is mentally unwell and coping by way of meds and court-ordered therapy, which don’t provide remedy or characterize caring. He’s committed to his unwell mom Penny (Frances Conroy), who’s inspired him to see himself as a joyous mild in the world, bringing laughter to the people.

The hassle is that he isn’t specially funny. He’s painfully awkward, the type of twitchy, social incompetence human beings shy away from in public due to the fact his erratic conduct feels like it should flip hazardous — or at least uncomfortable for them. It’s effortless for viewers to empathize with his want to be loved, barring always loving him. When he says he feels invisible, it’s clear why: he’s the type of individual human beings seem to be away from on the street, out of apathy or lively discomfort.

That anxiety between sympathy and revulsion is one of the most truthful matters about Joker, which mainly goes out of its way to make the world awful. While working as a sign-twirler, Arthur is randomly crushed by way of a handful of kids, who steal his signal and then destroy it over his head. His boss now not solely doesn’t agree with his story, he needs Arthur pay for the lacking sign. The dramatic ironies and injustices compound for the duration of the film, till it’s clear that Arthur isn’t paranoid, the world surely is out to get him. And then he takes violent, irrevocable action.

For a great deal of its runtime, Joker is a consciously unsightly film, visually and emotionally. Arthur starts offevolved with shut to nothing, and loses it all incrementally, in methods designed to damage empathetic viewers. Phillips and cinematographer Lawrence Sher (who additionally DP’d for all three of Phillips’ Hangover movies) supply the movie a sickeningly grungy, underlit, David Fincher-esque look, in particular in Arthur’s squalid home. Everything about the storytelling — the ominous, booming score; the gritty darkness; the invasive sound sketch — is designed to be oppressive, and to push the target audience towards Arthur’s factor of view as the fundamental sufferer of all the oppression. It’s hypnotic simply how horrifying Arthur’s existence is, simply as Phoenix’s overall performance is hypnotic as he spirals from fragile hope into increasingly more outsized and assured acts of destruction.

And then he escapes it all, by using getting to know now not to care — no longer about how or whether or not different humans see him, now not about whether or not he hurts or frightens or kills them, no longer about whether or not his final-act manifesto makes any kind of coherent sense. The essential section of Arthur’s story — and the reason for so plenty of the challenge round Joker — is that when he embraces his most nihilistic and adverse impulses, he all of sudden earns the reward and interest he’s been lacking. That may also now not wholly encourage him, however it’s intended as a message for the phase of the target market that feels closest to Arthur, these who experience most unseen and unloved: masses of humans agree with you that the world is unfair and ugly, and if you did some thing about it, they’d lower back your play.

Like Falling Down — and Martin Scorsese’s Taxi Driver, which Phillips overtly emulates and references — Joker suggests that when the main man loses his mind, it’s an understandable, even herbal response to an equally mad world. Viewers who aren’t already inclined to see humanity as a seething cesspit may additionally now not resonate with that degree of cynicism. But to viewers who sense as abused and left out as Arthur Fleck, or even who harbor smaller, greater rational resentments about society, Joker is a deliberate and fine-tuned provocation and promise: you aren’t alone, the humans you hate honestly are awful, and it would be k to act towards them in any way you want.

Phillips has made it clear that he doesn’t accept as true with Joker is something as small and dismissible as a mere comic-book movie. But whilst his movie is grimmer and greater harrowing than whatever in the Marvel Cinematic Universe, it’s presenting up a myth simply as honestly as any superhero wish-fulfillment energy trip: the fable of being a hero to some, of going from powerlessness to power, of being feared and loved at the identical time. Phillips can provide that message in a self-congratulatory way, generally by using placing the movie in a world the place Arthur has no preference however violence, and no get away however madness. He’s portrayed as a variety of darkish truth-teller due to the fact he’s realized that the world is a comic story and nothing matters. That’s a pretty adolescent outlook, which Phillips embraces in the equal persecution-complex spirit that lately led him to whinge that he had to make Joker due to the fact the world is now too touchy and woke for his preceding company of destructive-bro comedy. But Joker would probable be elevating an awful lot much less social situation if it wasn’t such a technically compelling movie, if its ultimate moments weren’t so outsized and joyous and purposefully insane.

Because Joker does play — no longer simply to its most put-upon, angry, repressed viewers — however to the complete audience’s darkest hearts. It indicates any one struggling when he lets society have its way with him, and freed when he has his way with society. It indicates him weeping by myself when he performs with the aid of the rules, and dancing wildly in public when he decides to spoil these rules. The story hurts and harms him, however Phillips suggests in the give up that the whole thing he went via used to be essential to deliver him the strength and focus he deserves. It’s a tempting fantasy, crafted with utter conviction.

Many critics and early viewers have answered to Joker with loathing, due to the fact that fable is so egocentric and solipsistic. By disregarding the world as imbalanced at best, outright malicious at worst, Phillips is enabling his viewers’ worst and most unfavorable impulses. “I simply don’t favor to feel so awful anymore,” Arthur says plaintively at one point. He’s a relatable sort of villain, innocent and unhappy — now not an Everyman, however an target market avatar for the downtrodden. And then he fashions a way to now not be innocent anymore. That doesn’t always make Joker a name to action, or an invitation to real-life violence. But it does characterize a horrifying structure of invitation — no longer simply a name to sympathize with the devil, however a full-blown justification for the hell he creates.

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Full 18+我们相撞后的电影故事以其变态的表演震惊了世界

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2020年11月25日(“守墓人”)-《我们相撞后的电影》是2020年最受欢迎的浪漫电影。《我们相撞后》有望成为2020年最受欢迎的浪漫和戏剧电影。观看《我们相撞后》后,有99%的人感到高兴电影。您也将非常乐意观看“电影相撞之后”,并且在这里无需任何VPN即可免费观看电影。

尽管《 After》的续集不会再发行几个月,但在Anna Todd的小说《 After We Colleded》中可以找到Tessa和Hardin传奇的延续。而且由于After最终落在悬崖峭壁上,所以如果您想了解更多信息,这是可以理解的。不用担心,如果您不介意破坏者,请继续阅读以了解接下来会发生什么。
《我们相撞之后》一经揭露,即哈丁只是与泰莎约会作为赌注。可以理解的是,泰莎(Tessa)被新闻迷住了,不想与哈丁有任何关系。同时,这个男孩迫切希望赢得它。这本书的大部分内容是两者之间的拉锯战,当然,他们的骑行就像是一段史诗般的情感过山车。
首先,在与出版商万斯(Vance)实习的过程中,泰莎(Tessa)前往西雅图参加读书会。但是在和他的办公室同事们进行一次聚会之后,他喝醉了,给哈丁打电话。然后,她出现了,由于一系列的巧合,她以为她和特雷弗一起在她的房间里。他们为此奋斗,但仍然喝醉了,泰莎建议他们做爱。是的,但是在早晨,他对此并不满意。另一场战斗爆发了,哈丁离开了。
后来,当哈丁突然与母亲一起出现时,泰莎决定去他们应该住的公寓。原来她没有告诉他分手的事。泰莎(Tessa)对此表示同意,并且他们谈了很多。他承认自己仍然爱她,但不确定他们是否相处得很好。
当她父亲靠近她的消息震惊了她时,她赶到哈丁寻求安慰。他们两个之间的情况似乎正在改善。最后,他们讨论了这个问题,然后回到了一起。
然后,当泰莎(Tessa)的母亲发现后,情况又出了问题。这场斗争带来了另一个启示:哈丁电影与一个女孩发生性关系,再次赌注。泰莎生气又失望,要求时间。他阅读了自己写的信,解释了自己的过去,并再次宽容。尽管如此,他仍然爱她。
同时,哈丁的家庭生活艰难,他的愤怒在父亲身边变得更加严重。泰莎(Tessa)鼓励他改善与父亲的关系,而他则改善与包括泽德(Zed)在内的其他人的关系。在聚会期间,当醉酒的泰莎(Tessa)与泽德(Zed)太近时,哈丁的嫉妒情绪爆发了。即便如此,哈丁还是表现出了使泰莎惊讶的地步。有一次,他认为自己不会大惊小怪。
但这只是真正的风暴之前的平静。他偷听一个女孩说他们在一起在一个房间里,然后立即抓住一个男孩并亲吻他。哈丁跳到那个男孩的上方,开始向他猛击。泰莎(Tessa)介入,但又吵了一架,哈丁(Hardin)独自一人参加聚会。
泽德(Zed)将他带回家,但他们发现哈丁(Hardin)醉酒而辱骂。不知何故,泰莎设法让他平静下来,他们补上了。这次航行有点顺利,但是当然持续时间不长。哈丁在睡梦中听到泰莎喃喃自语Zed的名字,并决定在某个地方喝醉。他整天离开她,遇到一个女孩,并在她的房子里过夜。当他回来时,泰莎(Tessa)出了小车祸。当他看到女孩时,他相信他们在一起睡着,并告诉哈丁让她独自一人。他们又分手了。
他们两个人分手很辛苦,不想互相交谈。最后,在虚弱的时刻,泰莎亲吻泽德,他们谈论如果他赢了赌注而不是哈丁,将会发生什么。但仅此而已,因为泰莎仍然爱着哈丁。
来回短暂地进行着,最终导致了关于Zed和Hardin沟通问题的一场激烈的战斗。最后,泰莎在两个男孩之间变得更加困惑,但仍然决定给哈丁另一个机会。她参加生日聚会失败,而不是和他在一起。但是,这次误传实际上是由Zed操纵的,他们操纵了他们之间的短信。这导致泰莎承认她亲吻了泽德,而他们又发生了另一场大战。
哈丁无法克服他的嫉妒,在校园里袭击了泽德,并被捕。泰莎担心会被开除并送进监狱,他去医院拜访了泽德,并说服他不要起诉。回到一起并做出承诺,似乎每个人都在寻找Tessa和Hardin。但是随后,泰莎在街上行走时看到一个无家可归的人,称他为父亲。
《我们相撞后》结束于这个绝壁,让读者争先恐后地追赶续集《我们堕落》,看看这对夫妻现在必须面对哪些新问题。 。 。

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